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Charlie Chaplin, born Charles Spencer Chaplin on April 16, 1889, in London, England, is one of the most iconic and influential figures in the history of cinema. A pioneer of the silent film era, Chaplin’s work transcended the medium’s limitations through his extraordinary ability to blend humor, pathos, and social commentary. As an actor, director, composer, and writer, he created timeless films that continue to resonate with audiences around the world. His most enduring persona, the "Tramp," is a symbol of resilience, compassion, and the human spirit. Chaplin’s early life was marked by hardship and poverty. Born to Hannah Chaplin, a music hall performer, and Charles Chaplin Sr., a singer, his childhood was anything but stable. His parents separated when he was a toddler, and his father’s alcoholism left the family destitute. Hannah struggled to support her children, often performing in London’s music halls. However, her mental health deteriorated, and she was institutionalized when Charlie was only seven years old. This forced Charlie and his older half-brother, Sydney, into a series of workhouses and orphanages, experiences that profoundly shaped his worldview and later informed the themes of his films. Despite these challenges, Chaplin discovered a love for performing at a young age. He began working as a stage actor and comedian, joining a juvenile dance troupe called "The Eight Lancashire Lads" when he was just nine years old. By his teens, Chaplin was performing in vaudeville and touring with various theater companies. His big break came in 1908 when he joined Fred Karno’s vaudeville troupe, where he honed his skills in physical comedy and improvisation. During a tour in the United States in 1913, Chaplin caught the attention of Mack Sennett, the head of Keystone Studios, who invited him to work in Hollywood. Chaplin made his film debut in the 1914 short Making a Living, but it was his second film, Kid Auto Races at Venice, that introduced the world to his iconic character, the Tramp. Dressed in a bowler hat, oversized shoes, a tight jacket, baggy trousers, and carrying a cane, the Tramp was a humorous yet deeply empathetic figure, embodying the struggles and triumphs of the everyman. Audiences immediately connected with the character, and Chaplin’s star began to rise. During his time at Keystone, Chaplin quickly learned the art of filmmaking, transitioning from performer to director. By 1915, he had joined Essanay Studios, where he gained greater creative control over his work. It was during this period that he began to refine his comedic style, moving away from slapstick gags toward more nuanced humor and storytelling. Films like The Tramp (1915) showcased Chaplin’s ability to blend comedy with poignancy, establishing him as a unique voice in silent cinema. Chaplin’s career continued to flourish as he moved to Mutual Film Corporation in 1916 and then to First National in 1918. By this time, he was one of the highest-paid entertainers in the world. With classics like The Pawnshop (1916), The Immigrant (1917), and A Dog’s Life (1918), Chaplin cemented his reputation as a master of silent film. His work reflected not only his comedic genius but also his empathy for the downtrodden, as he often explored themes of poverty, injustice, and the resilience of the human spirit. In 1919, Chaplin co-founded United Artists with Mary Pickford, Douglas Fairbanks, and D.W. Griffith. This gave him unprecedented control over his films, allowing him to write, direct, produce, and star in his projects. His first film under United Artists, The Kid (1921), was a landmark achievement, blending comedy and drama in a way that had never been done before. The film, which tells the story of a poor man caring for an abandoned child, was both a critical and commercial success, further solidifying Chaplin’s status as one of the leading filmmakers of his time. Throughout the 1920s, Chaplin continued to push the boundaries of silent cinema with masterpieces like The Gold Rush (1925) and The Circus (1928). The Gold Rush, which features the iconic scene of Chaplin eating his shoe, is often cited as one of the greatest films of all time. These works showcased his meticulous attention to detail, innovative use of visual storytelling, and unparalleled ability to evoke emotion. As the film industry transitioned to sound in the late 1920s, many silent film stars struggled to adapt. Chaplin, however, resisted the shift, believing that the universality of silent cinema transcended language barriers. His first sound film, City Lights (1931), was a silent film with synchronized music and sound effects but no dialogue. The film, which tells the story of the Tramp’s love for a blind flower girl, is widely regarded as one of his finest achievements and a testament to his artistic vision. Chaplin’s next film, Modern Times (1936), marked the Tramp’s final appearance. A satirical critique of industrialization and the dehumanizing effects of modern technology, the film struck a chord with Depression-era audiences. Its mix of humor, social commentary, and heartfelt moments solidified Chaplin’s place as a cultural icon. In 1940, Chaplin took a bold step with The Great Dictator, his first fully sound film and a sharp political satire of Adolf Hitler and fascism. In the film, Chaplin plays both a Jewish barber and a dictator named Adenoid Hynkel, a parody of Hitler. The film’s final speech, a passionate plea for peace and humanity, remains one of the most powerful moments in cinema history. Though controversial at the time, The Great Dictator was a critical and commercial success, reflecting Chaplin’s courage to address pressing global issues through his art. However, Chaplin’s later years were marked by controversy. His outspoken political views and alleged sympathies for leftist causes made him a target during the Red Scare of the 1940s and 1950s. In 1952, while traveling to England for the premiere of his film Limelight, Chaplin was denied re-entry to the United States. He chose to settle in Switzerland, where he spent the remainder of his life with his wife, Oona O’Neill, and their eight children. Despite the challenges, Chaplin continued to make films, including A King in New York (1957) and A Countess from Hong Kong (1967), though they were not as successful as his earlier works. In 1972, after two decades of exile, Chaplin returned to the United States to accept an honorary Academy Award, recognizing his immeasurable impact on the film industry. The emotional reception he received underscored his enduring legacy. Charlie Chaplin passed away on December 25, 1977, at his home in Corsier-sur-Vevey, Switzerland. He was 88 years old. His death marked the end of an era, but his contributions to cinema and culture live on. As a filmmaker, he redefined the possibilities of storytelling, combining humor and humanity in a way that resonated across generations and borders. As an artist, he used his platform to speak out against social injustices, leaving a legacy that is as relevant today as it was during his lifetime. Charlie Chaplin’s journey from the slums of London to the heights of global stardom is a testament to the power of creativity, resilience, and vision. Through his work, he captured the struggles and triumphs of the human spirit, creating art that continues to inspire, entertain, and move audiences worldwide. His influence on cinema is immeasurable, and his name remains synonymous with the magic of the silver screen. 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Versatile, curioso e con l’ambizione di regalare qualche sorriso con una pensosa leggerezza. Charlot da Charlie Chaplin prende il nome ma vorrebbe rifletterne anche lo spirito, per diventare un programma che guarda al mondo dello spettacolo come da una scala a chiocciola: con una prospettiva a 360 gradi ma anche qualcuno in più. Perché passare e ripassare da un certo luogo - fisico o mentale - affrontare tematiche e problematiche vicine da punti di vista differenti, alla fine ci regala piccole illuminazioni, impreziosite da accostamenti inediti. Charlot si occuperà di cinema, di teatro, di opera lirica, di serie TV, di musical o di stand-up comedy... Facendoli dialogare tra loro a volte. Altre sfruttando quello che i linguaggi più moderni insegnano a quelli tradizionali. Due ore settimanali per scoprire, riflettere, interrogarsi sul mondo dello spettacolo e le sue prospettive.

Host Oona Chaplin guides listeners through the period known as the Red Scare - an ideological battle that implicated Hollywood’s biggest stars, including her grandfather, Charlie.

MOVIEVERSARIES is a podcast designed to celebrate the classic anniversaries of the films we love across multiple decades.
Hosted and developed by Bo Nicholson, alongside a range of contributors and guest hosts, the show will examine, one film at a time, films as old as Charlie Chaplin's City Lights to as young as Peter Jackson's The Lord of the Rings, and beyond...
A proud part of the Film Stories Podcast Network: www.filmstories.co.uk

The TwoFiveOh is a podcast hosted by two Australian self-proclaimed film critics, Douglas - a two time Academy award viewing reviewer, and Jonathan - a proud cross stitch enthusiast and amateur Animal Crossing amiibo™ collector. Join them as they give their unprofessional opinions and ignorant applications of film theory on IMDB's top 250, spanning from Charlie Chaplin's "The Kid", through to the "Lord of the Rings" trilogy

Mother Teresa, Dr. Seuss, Gandhi. Is it possible these enlightened historical figures were total scumbags? That's what we try to decide in Scumbags of History, where we pick through the dirty underwear pile of lesser-known facts about some of the famous people society has put on a pedestal. Hosted by confirmed scumbags, comedians Brittany Schmitt and Mateen Stewart, Scumbags Of History is a thoroughly disreputable history lesson on the people you thought you knew from history. Episodes on Frank Sinatra, Albert Einstein, Winston Churchill, James Brown, Charlie Chaplin, Abraham Lincoln, Thomas Edison, Picasso, and more figures from history, released weekly. You can find clips of the show on TikTok @wisecrackofficial or @scumbags.of.history, see full episodes on YouTube @ScumbagsOfHistory and follow Brittany (@BrittanySchmitt) and Mateen (@MateenStewart) on Instagram.

Bienvenue au Canada, c’est à la fois un podcast et un site Internet (http://www.bienvenueaucanada.ca/) qui vous procurent des informations et des interviews sur la vie au Québec ⚜️ et au Canada 🇨🇦.
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Pour retrouver les notes des épisodes, consultez mon site: Bienvenue au Canada (https://www.bienvenueaucanada.ca/) à la section Apprendre. Vous y découvrirez mes différents articles surle Québec et le Canada. En vous abonnant à ma newsletter, vous recevrez un livret gratuit contenant 67 astuces à connaître avant de partir au Canada : cadeau (https://dl.bookfunnel.com/8oip737jmf)
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This Podcast outlines Charlie Munger's origins as the son of a prominent Nebraska lawyer and his early interests in investing, business, and literature. It covers his studies at the University of Michigan and Harvard Law School before transitioning to become a full-time investor in the 1950s, establishing several highly successful partnerships over the next decade.The bio then discusses Munger's move to California in the 60s where he collaborated closely with Warren Buffett at Berkshire Hathaway. He assumed the Berkshire Vice Chairman role in 1978, serving as an indispensable investing partner to Buffett for over 40 years at the helm of Berkshire's growth. Munger applied similar long-term value investing principles as Buffett.Beyond investing, Munger was actively engaged in law, medicine, philanthropy and especially educational reform. He was driven toward elevating social systems and organizations, with a particular focus on improving elementary education to better develop core reasoning skills early on.Now in his late nineties with an over six decade career, Munger maintains active involvement running Berkshire and the Daily Journal company, while continuing philanthropic and educational efforts. The piece concludes that his incredible cross-domain legacy is set to last for generations.

Charlie Parker, affectionately known as "Bird" or "Yardbird," was a revolutionary American jazz saxophonist and composer who left an indelible mark on the world of music. Born on August 29, 1920, in Kansas City, Kansas, Parker's life was a tumultuous journey filled with incredible highs and devastating lows, ultimately cut short by his untimely death at the age of 34. Despite his brief life, Parker's innovative approach to jazz improvisation and composition forever changed the landscape of the genre, earning him a place among the most influential musicians of the 20th century.
Early Life and Musical Beginnings
Charlie Parker's early life was shaped by the vibrant jazz scene of Kansas City, Missouri, where his family moved when he was seven years old. Growing up in a city known for its thriving music culture, Parker was exposed to the sounds of jazz from a young age. His mother, Addie, worked as a charwoman, while his father, Charles Sr., was a vaudeville performer and later a Pullman waiter. Although his father was often absent due to his work, Parker's mother encouraged her son's interest in music.
At the age of 11, Parker began playing the alto saxophone, a gift from his mother. He quickly developed a passion for the instrument and spent countless hours practicing and honing his skills. Parker's early musical education was largely self-directed, as he learned by listening to records and attending live performances at local clubs. He was particularly influenced by the blues and the jazz styles of Kansas City, which emphasized a strong rhythm section and improvisation.
As a teenager, Parker began performing professionally with local bands, including the band of pianist Jay McShann. It was during this time that he acquired the nickname "Yardbird," which was later shortened to "Bird." The origin of the nickname is unclear, but it is believed to have stemmed from Parker's love of eating chicken or from his tendency to "flock" like a bird from one gig to another.
The Birth of Bebop
In the early 1940s, Parker moved to New York City, where he became a central figure in the development of bebop, a new style of jazz that emphasized fast tempos, complex harmonies, and virtuosic improvisation. Along with fellow innovators such as Dizzy Gillespie, Thelonious Monk, and Bud Powell, Parker helped to create a sound that was distinct from the swing music of the previous decade.
Bebop was characterized by its departure from the structured arrangements and danceable rhythms of swing. Instead, it focused on extended improvisations, often based on the underlying chord progressions of popular songs. Parker's approach to improvisation was groundbreaking, as he played with a speed, dexterity, and harmonic complexity that had never been heard before. His solos were marked by a seamless flow of ideas, with each phrase building upon the last in a logical and melodic progression.
One of Parker's most significant contributions to bebop was his use of "playing the changes," a technique in which the soloist improvises melodic lines that outline the chord progressions of a song. This approach allowed for greater harmonic freedom and creativity, as the soloist was no longer bound by the original melody of the tune. Parker's mastery of this technique, combined with his incredible technical facility on the alto saxophone, made him one of the most influential and imitated musicians of his generation.
Collaborations and Recordings
Throughout the 1940s and early 1950s, Parker collaborated with many of the leading jazz musicians of the day, including Dizzy Gillespie, Miles Davis, Max Roach, and Charles Mingus. These collaborations resulted in some of the most iconic recordings in jazz history, including "Ko-Ko," "Now's the Time," and "Parker's Mood."
One of Parker's most famous collaborations was with trumpeter Dizzy Gillespie. The two musicians first met in 1940 and quickly developed a close musical partnership. Together, they recorded a series of groundbreaking albums, including "Bird and Diz" and "Jazz at Massey Hall," which featured Parker and Gillespie playing with a group of all-star musicians, including Bud Powell, Charles Mingus, and Max Roach.
Another significant collaboration in Parker's career was with trumpeter Miles Davis. In 1945, Parker and Davis recorded a series of sessions for the Savoy label, which resulted in some of the most influential recordings in jazz history. These sessions, which included songs such as "Billie's Bounce" and "Now's the Time," showcased Parker's virtuosic playing and helped to establish Davis as a leading figure in the jazz world.
In addition to his work as a sideman, Parker also led his own groups and recorded extensively as a leader. His 1945 recording of "Ko-Ko," based on the chord changes of the song "Cherokee," is considered a masterpiece of bebop and a showcase for Parker's incredible improvisational skills. Other notable recordings by Parker as a leader include "Ornithology," "Yardbird Suite," and "Relaxin' at Camarillo."
Personal Struggles and Decline
Despite his musical genius, Parker's personal life was plagued by addiction, mental health issues, and financial instability. He began using heroin in the early 1940s and struggled with addiction for the rest of his life. Parker's drug use often interfered with his music, leading to missed gigs, erratic behavior, and even arrests.
In addition to his drug addiction, Parker also struggled with mental health issues, including depression and schizophrenia. He was hospitalized several times throughout his life and underwent electroshock therapy in an attempt to treat his condition. Parker's mental health struggles were likely exacerbated by the pressures of fame, the grueling schedule of touring and recording, and the racism and discrimination he faced as a black musician in mid-20th century America.
Parker's personal struggles took a toll on his relationships and his financial stability. He was married four times and had several children, but his addiction and erratic behavior often strained his family life. Despite his success as a musician, Parker often found himself in financial difficulty, as he was known for his generous nature and his tendency to spend money on drugs and other vices.
Legacy and Influence
Charlie Parker's impact on the world of jazz cannot be overstated. His innovations in improvisation, composition, and harmonic language laid the foundation for the development of modern jazz and inspired countless musicians who followed in his footsteps. Parker's music continues to be studied, analyzed, and celebrated by jazz enthusiasts and musicians around the world.
One of Parker's most significant legacies was his influence on the generation of jazz musicians who came of age in the 1950s and 1960s. Many of these musicians, including John Coltrane, Sonny Rollins, and Cannonball Adderley, cited Parker as a major influence on their playing and credited him with opening up new possibilities for improvisation and expression on the saxophone.
Parker's influence also extended beyond the world of jazz, as his music helped to shape the sound of popular music in the mid-20th century. His fast tempos, complex harmonies, and virtuosic solos can be heard in the work of rock and roll pioneers such as Chuck Berry and Little Richard, as well as in the music of R&B and soul artists like Ray Charles and James Brown.
In addition to his musical legacy, Parker's life story has become a symbol of the struggles and triumphs of African American musicians in the 20th century. His battles with addiction, mental illness, and discrimination have been the subject of numerous books, films, and documentaries, and his perseverance in the face of adversity has inspired generations of artists and activists.
Posthumous Recognition and Honors
Since his death in 1955, Charlie Parker has been the recipient of numerous posthumous honors and awards. In 1974, he was inducted into the Down Beat Jazz Hall of Fame, and in 1984, he was awarded a Grammy Lifetime Achievement Award. In 1988, the U.S. Postal Service issued a commemorative stamp featuring Parker's image, and in 1995, the Kennedy Center honored him as a jazz master.
In addition to these formal honors, Parker's music has been celebrated and reinterpreted by countless musicians in the decades since his death. His compositions, such as "Ornithology" and "Yardbird Suite," have become jazz standards and are regularly performed by artists around the world. In recent years, there has also been a resurgence of interest in Parker's life and legacy, with new biographies, documentaries, and tribute albums helping to introduce his music to a new generation of listeners.
The Complexity and Contradictions of Charlie Parker
Despite the reverence and admiration that Charlie Parker has received in the years since his death, it is important to acknowledge the complexity and contradictions of his life and legacy. Parker was a deeply flawed individual who struggled with addiction, mental illness, and personal demons throughout his life. His behavior could be erratic and self-destructive, and he often caused pain and suffering to those closest to him.
At the same time, Parker was a musical genius whose innovations and artistry continue to inspire and influence musicians around the world. His ability to express the full range of human emotions through his playing, from joy and exuberance to pain and despair, was unparalleled, and his contributions to the development of jazz as an art form cannot be overstated.
In many ways, the complexity and contradictions of Charlie Parker's life mirror the complexity and contradictions of the African American experience in the 20th century. Parker's struggles with addiction and mental illness were not unique to him but were all too commo

What do our fantasies mean? And why are they important?
Charlie Swan’s Toxic Turn Ons is a podcast where I sit down with friends to talk about their romantic fantasies and the stories based in romantic fiction that inspire them. From ACOTAR to Austen, we discuss what draws them in and how it relates to their real life dating and relating experiences.Season One is a look into our dark fantasies and bad habits.

Podcast by Charlie Hebdo

Charlie Hurt & Kelly Sadler: Politically Unstable - Where news and commentary collide. Get the best of Washington Times Opinion Editor Charlie Hurt’s irreverent conservatism as he hashes out the big stories of the day with Commentary Editor Kelly Sadler.

I am an avid music listener on the journey to listening to as much no music as possible, as well as ones i’ve listened to. My goal is to rate and provide feedback on albums/artists discography’s in order to enhance my credibility. I will have my friends on from time to time. Support this podcast: https://podcasters.spotify.com/pod/show/charlie-talksmusicshow/support

Comedian, actor and writer Charlie Higson chats to friends from the world of comedy about classical music and their own personal music journey, with all sorts of nonsense in between - from reminiscing about how they met to reviving some of their popular comedy characters. Featured friends include Bob Mortimer, Vic Reeves, and fellow stars of The Fast Show, Paul Whitehouse and Arabella Weir. A Scala Radio production.

Where authentic stories and actionable tools spark personal transformation.

Everything, anything, nothing, something. The past... the yesterday... the few hours ago... the foreseeable tonight future... financing... love art of seduction... the game... life... simplicity money making moves...MF... EVERYTHING!!

A podcast hosted by Charlie Peppers and Steve Selnick - two friends who live in different places, and stay connected by talking about the stuff they love to watch.